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Negative emotions in art reception

Refining theoretical assumptions and adding variables to the Distancing-Embracing model
Publication date
2017-11-29
Document type
Sonstiger Artikeltyp
Author
Menninghaus, Winfried
Wagner, Valentin
Hanich, Julian
Wassiliwizky, Eugen
Jacobsen, Thomas 
Koelsch, Stefan
Organisational unit
Allgemeine und Biologische Psychologie 
DOI
10.1017/S0140525X17001947
URI
https://openhsu.ub.hsu-hh.de/handle/10.24405/4149
Publisher
Cambridge Univ. Press
Series or journal
Behavioral and brain sciences
ISSN
1469-1825
Periodical volume
40
Article ID
e380
Is referenced by
https://openhsu.ub.hsu-hh.de/handle/10.24405/4150
Part of the university bibliography
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  • Additional Information
Language
English
Abstract
While covering all commentaries, our response specifically focuses on the following issues: How can the hypothesis of emotional distancing (qua art framing) be compatible with stipulating high levels of felt negative emotions in art reception? Which concept of altogether pleasurable mixed emotions does our model involve? Can mechanisms of predictive coding, social sharing, and immersion enhance the power of our model?
Description
Authors' response to comments
Version
Published version
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