Please use this persistent identifier to cite or link to this item: doi:10.24405/14257
DC FieldValueLanguage
dc.contributor.authorMüller, Mira-
dc.contributor.authorKlein, Julian-
dc.contributor.authorJacobsen, Thomas-
dc.date.accessioned2022-04-28T07:51:54Z-
dc.date.available2022-04-28T07:51:54Z-
dc.date.issued2011-09-
dc.identifier.citationMira Müller, Julian Klein, Thomas Jacobsen; Beyond Demand: Investigating Spontaneous Evaluation of Chord Progressions with the Affective Priming Paradigm. Music Perception 1 September 2011; 29 (1): 93–108. doi: https://doi.org/10.1525/mp.2011.29.1.93de_DE
dc.identifier.issn07307829-
dc.identifier.urihttps://doi.org/10.24405/14257-
dc.descriptionZweitveröffentlichung; DOI der Erstveröffentlichung: 10.1525/MP.2011.29.1.93de_DE
dc.description.abstractWE ASSUME THAT EVALUATIVE PROCESSES IN RESPONSE TO musical stimuli can occur spontaneously without explicit demand, and that these responses are important for the emergence of emotions evoked by music. Two versions of the affective priming paradigm served to study spontaneous evaluation of music. In Experiment 1, a lexical decision task (LDT) and in Experiments 2 and 3, an evaluative decision task (EDT) was employed. A total of 20 original four-part, five-chord piano sequences with no specified harmonic resolution were used as primes. During the LDT, congruency in valence of prime-target pairs did not affect response times to the targets. However, for the EDT, significant effects of priming were obtained, indicating that spontaneous evaluations of primes must have occurred. No moderating influences of music expertise or any other person variable on spontaneous evaluation were observed. The diverging results of LDT and EDT point to the possibility that spontaneous evaluative processes are sensitive to context manipulations. Results are discussed with reference to harmonic and semantic priming studies. © 2011 by the Regents of the University of California All Rights Reserved.de_DE
dc.description.sponsorshipInsitut für Psychologie, Universität Leipzigde_DE
dc.language.isoende_DE
dc.publisherUniv. of California Pressde_DE
dc.relation.ispartofMusic perception : an interdisciplinary journalde_DE
dc.subjectAffective primingde_DE
dc.subjectExpertisede_DE
dc.subjectMusic aestheticsde_DE
dc.subjectMusic induced emotionsde_DE
dc.subjectSpontaneous evaluationde_DE
dc.subject.ddcDDC::100 Philosophie und Psychologiede_DE
dc.titleBeyond demand: Investigating spontaneous evaluation of chord progressions with the affective priming paradigmde_DE
dc.typeArticlede_DE
dc.identifier.doi10.1525/mp.2011.29.1.93-
dc.identifier.scopus2-s2.0-80053018215-
dcterms.bibliographicCitation.volume29de_DE
dcterms.bibliographicCitation.issue1de_DE
dcterms.bibliographicCitation.pagestart93de_DE
dcterms.bibliographicCitation.pageend108de_DE
dcterms.bibliographicCitation.originalpublisherplaceBerkeley, CAde_DE
dc.identifier.urlhttps://api.elsevier.com/content/abstract/scopus_id/80053018215-
local.submission.typefull-textde_DE
dc.identifier.eissn15338312-
dc.description.peerReviewedYesde_DE
dc.type.articleScientific Articlede_DE
item.grantfulltextopen-
item.fulltext_sWith Fulltext-
item.languageiso639-1en-
item.fulltextWith Fulltext-
item.openairetypeArticle-
crisitem.author.deptAllgemeine und Biologische Psychologie-
crisitem.author.orcid0000-0002-1523-3996-
crisitem.author.parentorgFakultät für Geistes- und Sozialwissenschaften-
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