|Title:||Bridging the arts and sciences||Subtitle:||a framework for the psychology of aesthetics||Authors:||Jacobsen, Thomas||Language:||eng||Keywords:||graphic patterns;judgements;perception;complexity;beauty;Methode;Ästhetik;Kunstpsychologie||Subject (DDC):||DDC::100 Philosophie und Psychologie::150 Psychologie||Issue Date:||2006||Publisher:||MIT Press||Document Type:||Article||Journal / Series / Working Paper (HSU):||Leonardo||Volume:||39||Issue:||2||Page Start:||155||Page End:||162||Publisher Place:||Cambridge, Mass.||Abstract:||
The investigation of aesthetic processing has constituted a longstanding tradition in experimental psychology, of which experimental aesthetics is the second-oldest branch. The status of this psychology of aesthetics, the science of aesthetic processing, is briefly reviewed here Building on this heritage and drawing on a host of related scientific disciplines, a framework for a strongly interdisciplinary psychology of aesthetics is proposed. It is argued that the topic can be fruitfully approached from at least seven different perspectives, each with multiple levels of analysis. diachroma, ipsichroma, mind, body, content, person and situation. Eventually, this work may coalesce into a unified theory of aesthetic processing.
DOI der Erstveröffentlichung: 10.1162/leon.2006.39.2.155
|Organization Units (connected with the publication):||Insitut für Psychologie, Universität Leipzig||DOI:||https://doi.org/10.24405/14114||ISSN:||0024-094X||Publisher DOI:||10.1162/leon.2006.39.2.155|
|Appears in Collections:||Publications of the HSU Researchers (before HSU)|
Show full item record
checked on Oct 2, 2022
Items in openHSU are protected by copyright, with all rights reserved, unless otherwise indicated.