DC FieldValueLanguage
dc.contributor.authorHanich, Julian-
dc.contributor.authorWagner, Valentin-
dc.contributor.authorShah, Mira-
dc.contributor.authorJacobsen, Thomas-
dc.contributor.authorMenninghaus, Winfried-
dc.date.accessioned2020-12-09T10:54:22Z-
dc.date.available2020-12-09T10:54:22Z-
dc.date.issued2014-
dc.identifier.citationIn: Psychology of aesthetics, creativity, and the arts. - Washington, DC : American Psychological Assoc., 2006- ; ZDB-ID: 2487503-X . - Bd. 8.2014, 2, Seite 130-143de_DE
dc.description.sponsorshipAllgemeine und Biologische Psychologiede_DE
dc.language.isoengde_DE
dc.publisherAmerican Psychological Associationde_DE
dc.relation.ispartofPsychology of Aesthetics, Creativity, and the Artsde_DE
dc.titleWhy we like to watch sad films: the pleasure of being moved in aesthetic experiencesde_DE
dc.typeArticlede_DE
dc.identifier.doi10.1037/a0035690-
dc.identifier.scopus2-s2.0-84900863552-
dcterms.bibliographicCitation.volume8.2014de_DE
dcterms.bibliographicCitation.issue2de_DE
dcterms.bibliographicCitation.pagestart130de_DE
dcterms.bibliographicCitation.pageend143de_DE
dcterms.bibliographicCitation.originalpublisherplaceWashington, D.C.de_DE
local.submission.typeonly-metadatade_DE
dc.description.peerReviewed✅-
hsu.opac.importopac-2014-
hsu.identifier.ppn1009925814-
item.grantfulltextnone-
item.languageiso639-1en-
item.fulltextNo Fulltext-
item.fulltext_sNo Fulltext-
item.openairetypeArticle-
crisitem.author.deptAllgemeine und Biologische Psychologie-
crisitem.author.orcid0000-0002-1523-3996-
crisitem.author.parentorgFakultät für Geistes- und Sozialwissenschaften-
Appears in Collections:3 - Reported Publications
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