Publication:
Negative Emotions in Art Reception

cris.customurl 4149
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cris.virtual.departmentbrowse Allgemeine und Biologische Psychologie
cris.virtual.departmentbrowse Allgemeine und Biologische Psychologie
cris.virtual.departmentbrowse Allgemeine und Biologische Psychologie
cris.virtual.departmentbrowse Allgemeine und Biologische Psychologie
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cris.virtualsource.department 2262cd26-fd1e-4386-ad11-3b8609bcf827
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dc.contributor.author Menninghaus, Winfried
dc.contributor.author Wagner, Valentin
dc.contributor.author Hanich, Julian
dc.contributor.author Wassiliwizky, Eugen
dc.contributor.author Jacobsen, Thomas
dc.contributor.author Koelsch, Stefan
dc.date.issued 2017
dc.description.abstract While covering all commentaries, our response specifically focuses on the following issues: How can the hypothesis of emotional distancing (qua art framing) be compatible with stipulating high levels of felt negative emotions in art reception? Which concept of altogether pleasurable mixed emotions does our model involve? Can mechanisms of predictive coding, social sharing, and immersion enhance the power of our model?
dc.description.version NA
dc.identifier.citation Enthalten in: Behavioral and brain sciences. - New York, NY [u.a.] : Cambridge Univ. Press, 1978. - Online-Ressource . - Bd. 40.2017, 380
dc.identifier.doi 10.1017/S0140525X17001947
dc.identifier.uri https://openhsu.ub.hsu-hh.de/handle/10.24405/4149
dc.language.iso en
dc.publisher Cambridge Univ. Press
dc.relation.journal Behavioral and brain sciences : BBS
dc.relation.orgunit Allgemeine und Biologische Psychologie
dc.rights.accessRights metadata only access
dc.title Negative Emotions in Art Reception
dc.type Research article
dcterms.bibliographicCitation.originalpublisherplace New York, NY
dspace.entity.type Publication
hsu.peerReviewed
hsu.title.subtitle Refining Theoretical Assumptions and Adding Variables to the Distancing-Embracing-Model
hsu.uniBibliography
oaire.citation.issue e380
oaire.citation.volume 40
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