Publication:
Aesthetic responses to music

cris.customurl 17219
cris.virtual.department #PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtual.department #PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtual.department Allgemeine und Biologische Psychologie
cris.virtual.department #PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtual.department #PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtual.department #PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtual.departmentbrowse Allgemeine und Biologische Psychologie
cris.virtualsource.department #PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtualsource.department #PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtualsource.department 2262cd26-fd1e-4386-ad11-3b8609bcf827
cris.virtualsource.department #PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtualsource.department #PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtualsource.department #PLACEHOLDER_PARENT_METADATA_VALUE#
dc.contributor.author Istók, Eva
dc.contributor.author Brattico, Elvira
dc.contributor.author Jacobsen, Thomas
dc.contributor.author Krohn, Kaisu
dc.contributor.author Müller, Mira
dc.contributor.author Tervaniemi, Mari
dc.date.issued 2009-09-01
dc.description.abstract We explored the content and structure of the cognitive, knowledge-based concept underlying aesthetic responses to music. To this aim, we asked 290 Finnish students to verbally associate the aesthetic value of music and to write down a list of appropriate adjectives within a given time limit. No music was presented during the task. In addition, information about participants’ musical background was collected. A variety of analysis techniques was used to determine the key results of our study. The adjective “beautiful” proved to be the core item of the concept under question. Interestingly, the adjective “touching” was often listed together with “beautiful”. In addition, we found music-specific vocabulary as well as adjectives related to emotions and mood states indicating that affective processes are an essential part of aethetic responses to music. Differences between music experts and laymen as well as between female and male participants were found for a number of adjectives. These findings suggest the existence of a common conceptual space underlying aesthetic responses to music, which partly can be modified by the level of musical expertise and gender.
dc.description.version VoR
dc.identifier.doi 10.1177/102986490901300201
dc.identifier.issn 2045-4147
dc.identifier.uri https://openhsu.ub.hsu-hh.de/handle/10.24405/17219
dc.language.iso en
dc.publisher Sage Publishing
dc.relation.journal Musicae Scientiae
dc.relation.orgunit Universität Leipzig, Institut für Allgemeine Psychologie
dc.rights.accessRights metadata only access
dc.subject Aesthetics
dc.subject Emotion
dc.subject Beauty
dc.subject Verbal association
dc.title Aesthetic responses to music
dc.type Forschungsartikel
dcterms.bibliographicCitation.originalpublisherplace London
dspace.entity.type Publication
hsu.peerReviewed
hsu.title.subtitle A questionnaire study
hsu.uniBibliography Nein
oaire.citation.endPage 206
oaire.citation.issue 2
oaire.citation.startPage 183
oaire.citation.volume 13
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